Lucia di Lammermoor (Act II: Sestetto: Chi mi frena):

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One of the most revered chamber musicians in the history of brass playing, Scott was a decade long member of the Empire Brass Quintet and has been a featured soloist with a myriad of orchestras worldwide. It is a professional model and features a 10" gold brass bell and independent rotary valves in Bb/F/D/Gb. Glenn no longer has access to green leather... so this one is a bit rare. $250 Very cool custom single valve bass trombone built by Larry Minick.

Pages: 0

Publisher: E.F.Kalmus (1933)

ISBN: B00UKZ3DCM

Giovanna d'Arco (Act I, Romanza: A fatidica foresta (soprano)): Trombone 1 part (Qty 7) [A5060]

This is the Paul Pallard Bass Trombone pitched in Bb/F/Gb/D. It is a dual bore(.562"/.578") and was a 9.5 inch bell. It also has an adjustable Gb/D lever and a removable leadpipe. This is a fantastic playing bass trombone and would fit right into an orchestral setting. Brand: Courtis Model: Legend 420 Bore: .547" Bell: Yellow Brass 8.5" Valve: Hagman Case: Yes Serial: 452451 The Courtois AC420 trombone is a large bore (.547) and one of the best values in the trombone world today Die lustige Witwe: Trombone 1, 2 and 3 parts [A2283]. If you're looking for an authentic original German Romantic Posaune� here it is. SOLD $1600 Near new condition Bach model 42B, traditional valve with closed wrap. This one is silver plated and it is a phenomenal player. Very responsive bell, open blow, open valve register and brilliant core and clarity La forza del destino (Act III, Rataplan (chorus)): Trombone 1 part (Qty 7) [A3840]. They both went above and beyond to make me happy. It's nice to know that customer service still exist. You can consider me a loyal Sam Ash customer from now on. Thanks, Sirs, Last Friday, August 26th, I came to your San Antonio store in hopes of replacing a power supply for a Shure wireless microphone Lucia di Lammermoor (Act III, Mad Scene (soprano, chorus): Alfin son tua): Trombone 1, 2 and 3 parts [A8845]. Pics here: Holton Model 159 tenor trombone with F valve. Outstanding condition, no dents and lacquer is 99%. As far as I can tell the horn is 100% original The Canadian Brass Christmas Solos - Trombone: with recordings of performances and accompaniments. SOLD Here's a phenomenal pedigree Bach Mt Vernon model 36 from a prominent orchestral trombonist. It is in very good used condition and while has some minor cosmetic blems, overall a clean example. Thin bell, open blow and a projecting sound. $2300 without case SOLD Here's a really nice Bach Soloist Stradivarious: gold brass bell, open wrap F attachment, lightweight nickel slide download Lucia di Lammermoor (Act II: Sestetto: Chi mi frena): Trombone 1, 2 and 3 parts (Qty 3 each) [A2787] pdf. The sound is sonorous and teutonic in nature with lots of overtones. Articulations speak well� it's not quite as big a sound as a .547" tenor but its bigger than most .525" trombones. Price TBD Gorgeous Elkhart Conn 88H made in 1963/64, some say the best year of production for Conn 88H trombones. This one is in fantastic condition, recently overhauled here at The Brassark Supplementus III (Tenebrae factae sunt – for orchestra): Trombone 3 part (Qty 7) [A5590].

Download Lucia di Lammermoor (Act II: Sestetto: Chi mi frena): Trombone 1, 2 and 3 parts (Qty 3 each) [A2787] pdf

Features include a 9.5" one-piece hand-hammered yellow brass bell, brass outer slide tubes, seamless chrome-plated nickel silver inner slide tubes, nickel silver slide handgrips, tubular nickel silver body braces, Bach 1.5G mouthpiece (can be swapped for any in-stock Bach mouthpiece of similar cost at no additional charge) and a model 1845 fabric cov.. Symphony No.9, D.944: Trombone 3 part [A2001]. Very few dents and no signs of major damage or trauma. Overall a solid vintage Conn from a desirable year. $3900 with original case Overture di ballo: Trombone 3 part (Qty 2) [A5688]. Somewhat rare in the USA, think of this F tuba as the BMW of the tubas. It's nimble, flexible, easy to play, predicable and in tune Navarra, Op.33: Trombone 1, 2 and 3 parts (Qty 2 each) [A6792]! The horn is a transposing instrument in F, i.e. it is written a fifth higher than it sounds. In orchestral writing the key signature is usually omitted and all accidentals written on the part as they arise. These days this is pointless and would advise the use of key signatures as normal Christus, S.3 (Die Heiligen Drei Konige (No.5)): Trombone 1, 2 and 3 parts (Qty 2 each) [A1648].

Suite for Orchestra: Trombone 1 part (Qty 2) [A7562]

Also sprach Zarathustra, Op.30: Trombone 2 part (Qty 2) [A2120]

It has a velvety, round sound with a quick response. The valves are quiet and fast and the slide is quick and smooth. Now you can get all models sandblased and goldplated. Sterling silver bell beautiful engraving, no dents or obvious scratches I have had it for few years and love it however, it is too nice in looks to use on a band stand for fear of denting it. (I have several other horns) Schatz-Walzer, Op.418: Trombone 1, 2 and 3 parts (Qty 2 each) [A2105]. The Conn 88HCL features a special rotary valve designed by famous trombonist Christian Linberg. It's loosely based on the original Larry Minick rotary valve, but has some design changes. This valve is very free blowing with a nice even response on both sides of the horn. The action is quick and short, probably the shortest of all rotary valves. Overall, this instrument is in good condition with some cosmetic lacquer wear in various places on the trombone, most notably the contact points Lucia di Lammermoor (Act II: Sestetto: Chi mi frena): Trombone 1, 2 and 3 parts (Qty 3 each) [A2787] online. Anything lower than that is just the person making noises into the instrument. Re: Highest note possible on Trombones, Trumpets and Tubas, and so 20:37 on Monday, January 26, 2004 Re: Highest note possible on Trombones, Trumpets and Tubas, and so 18:47 on Friday, February 27, 2004 I play trombone, and the highest note I`ve ever played is the F on the top line treble clef The Tempest: Trombone 1 part [A5526]. And if you think you have one, you`re wrong. These things would cost more than all the instruments in a band put together. Re: Highest note possible on Trombones, Trumpets and Tubas, and so 01:54 on Monday, July 12, 2004 Cory, I am a trombone music education major, and I have to disagree with your post O5520 - Festival Performance Solos: Piano Accompaniment for Trombone or Baritone, Vols. 1 & 2. Percussion is abbreviated following the brass Symphony No.6 in A major, WAB 106 (1st published version (1899)): Trombone 2 part (Qty 2) [A3328]. It has the most elaborate engraving I have ever seen. The bell is Sterling silver and the relief portion is in gold. I found this horn at a flea market, but unfortunately the slide is trashed and needs to be rebuilt. "This is one of three instances known, in the cantatas, in which the trombones are used other than with the voices." Does anyone know off-hand what the other two cantatas are? (There are 3 trombones in BWV 25 ). (Needless to say, in the light of the subject matter, the hair-raising nature of this opening chorus, as captured on Rilling's recording, with the elemental 'shrieks' or 'grunts' from the trombones, is thrilling, to say the least.) Bob Henderson wrote (October 7, 2003): [To Neil Halliday] Trombones (from the Concerto Palatino) are used (to wonderful effect) in at least three Suzuki recordings: BWV 25 and BWV 64, Volum 13 and the Leipzig version of BWV 21, Volume 12 Studies and Melodious Etudes for Trombone (Student Instrumental Course, Level One-Elementary).

Missa solemnis in C major, K.337: Trombone 1, 2 and 3 parts [A2696]

Winner Score All Bass Clef Trombone (Book & CD) by Various (2009) Sheet music

Eskimos, Op. 64 for Tuba or Bass Trombone & Piano

A Sea Symphony (Symphony No.1): Trombone 1, 2 and 3 parts [A7676]

Night on Bald Mountain (Original version (1867)): Trombone 1 part (Qty 2) [A5799]

Paulus, Op.36: Trombone 1, 2 and 3 parts [A2661]

Specimen Sight-Reading Tests for Trombone, Treble and Bass Clef, Grades 1-5 (ABRSM Sight-reading) by ABRSM (5-Oct-1995) Sheet music

Mass, Op.12: Trombone 2 part (Qty 2) [A2600]

Daniel Speer Trombone Consort In Concert Cd CD

Copland for Bassoon, Trombone, Baritone B.C. Book

Les vêpres siciliennes (Act I, Introduzione e Coro: A te, ciel natio): Trombone 1, 2 and 3 parts (Qty 2 each) [A5070]

Ramuntcho (Suite No.2: Rapsodie basque): Trombone 1, 2 and 3 parts (Qty 2 each) [A5884]

Rienzi, WWV 49 (Friedensmarsch): Trombone 2 part (Qty 7) [A5287]

Gianni Schicchi (Avete torto!): Trombone 1, 2 and 3 parts (Qty 2 each) [A7995]

With the Wild Geese: Trombone 2 part (Qty 2) [A7184]

Concerto symphonique No.4, Op.102: Trombone 1 part (Qty 2) [A1657]

Lucia di Lammermoor (Act III, Mad Scene (soprano, chorus): Alfin son tua): Trombone 1 part (Qty 2) [A8845]

5 Lieder, Op.19 (Arrangement for orchestra): Trombone 2 part (Qty 7) [A2873]

This instrument features a thin gold brass Greenhoe bell, Greenhoe slide with nickel crook and Greenhoe valve. Includes on leadpipe and lexan valve cap. The instrument has had some bell repair but is in great shape with only some minor wear on the contact points in the lacquer. Includes black leather Reunion Blues case. $4700 ($4500 without case) sold This is the top of the line Bb trumpet made by Yamaha and designed by Bob Malone for John Hagstrom of the Chicago Symphony Concerto in D minor for Trombone & Piano. The 37 has long been the standard model for trumpet players. The new price for these horns are well over $2000, this one is available at $1300. Deal of the day, here is a great playing, ugly vintage Conn 4H from the 1920s. Friction fit bell connector, old school inner slide tubes Scènes alsaciennes (Part 2 – for theatre orchestra): Trombone part (Qty 2) [A6817]. Aryeh Oron wrote (October 7, 2003): [To Neil Halliday] BWV 4 is one. Neil Halliday wrote (October 7, 2003): [To Bob Henderson & Aryeh Oron] Thanks, Bob H. and Aryeh. But BWV 4 and BWV 64 appear to have the trombones colla parte with the voices; there are quite a few instances of this, I think (still very effective, ofcourse.) I'll do a bit more research on this matter later Easy Christmas Carols For Trombone: 22 Easy Holiday Songs Arranged For Beginning Musicians (Easy Christmas Carols For Concert Band Instruments Book 1). Thank you again for everything I really due appreciate how straight forward you’ve made this and if... Read Full » Great practice last night with the cornet, it’s got great character I’m very happy with it. Enjoying playing it is really going to help in the next 9 weeks until the Area contest. Thank you again for everything I really due appreciate how straight forward you’ve made this and if.. Vyšehrad, JB 1:112/1: Trombone 1, 2 and 3 parts (Qty 2 each) [A2059]. I always tell people that come try Olds trombones at my shop that these instruments tend to pick their new owners... if you find yourself gravitating towards these horns you probably enjoy a focused blow with a lot of tactile feedback on the face. They are capable of an amazing volume but also have a unique personality in each horn. If you've been following my site, you've noticed the other Supers I've had for sale... each played differently Le désert: Trombone 1 part (Qty 2) [A5367]. Tom is enjoying the relaxed life of retirement, and when he’s not pulling off Jazzy licks under the moonlight on his trombone, he is playing rounds of Golf at Deeside Golf Club Symphony No.8: Trombone 4 part [A6070]. The overtones are well aligned and the instrument blows evenly and open. There are two small cracks in the top inner tube. Currently, there is aluminum tape covering these cracks, and the horn works as is (although you do feel the bump in the slide action from the tape). The buyer has some options: A very good repairman could fill these cracks with solder to repair the original tube The Politically Correct Book of Holiday Songs for Trombone. We then did a brushed lacquer finish on the bell, to make the horn look like the boss that it is Symphony No.1, Op.4: Trombone 1 part (Qty 2) [A2382]. Additionally a thumb paddle was installed to help with the balance of the horn in your left hand epub. A friend who was with me that day came to the same conclusion regarding which bell was right for me. Each bell that I tried really did have its distinct characteristics. Choosing among them seems a lot more satisfying than auditioning horns that are all supposed to be the same, which you might do at a factory showroom of some larger manufacturers. My first opportunity to try out the horn with the yellow bell was on a commercial jazz job, and I was impressed from the start download.